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A comparative analysis of villainy as reflected in selected tragedies and comedies of shakespeare, 1972. Atlanta university and clark atlanta university theses and dissertations. Atlanta university, january 1972.
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Atlanta university center robert w. To that end, the article introduces an analytical framework at the intersection of cognitive film theory and moral psychology. The framework analyzes villainy into three categories: Guilty intentionality, consequential action, and causal responsibility.
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Books addressing evil and villainy, the decades which i was focusing on, and the individual movies which i watched. Why is it often so easy to identify the villain in a movie just by the way they look? Visual narratives exploit a mechanism that generates aversion towards people who look different. This simple premise was delivered with a successful blend of cinematic filming, sophisticated writing, dramatic scenes, and complex characters that were all flawed in some capacity. Operating within the field of adaptation studies, the representation of the villains was analysed extensively first in their source text, which was then completed by a comparative analysis of the character in the adaptation, focusing on what i called complexity.